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An interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. New tonal possibilities present themselves for the repertoire, since Schumann never composed an original piece for guitar. Contains pieces from the piano cycles Album für die Jugend, Kinderszenen and Albumblätter, but also some lieder like Mondnacht or Im wunderschönen Monat Mai. A highlight is the original Schumann transcriptions by Francisco Tárrega (1852-1909) which prove guitarists studied Schumann's music as early as the 19th century. Ideal for concerts and music lessons or for private music-making. The pieces are of easy to intermediate difficulty so even amateur guitarists will enjoy playing them. Notation only. 47 pp.
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8 Pieces from "Album for the Young" op. 68
4 Pieces from "Album Leaves" op. 124
7 Pieces from "Scenes from Childhood" op. 15
7 Schumann Transcriptionen by Francisco Tárrega (1852 – 1909)
4 Song Arrangements for Two Guitars
- Melody (No. 1)
- Soldier's March (No. 2)
- Humming Song (No. 3)
- A Little Piece (No. 5)
- Poor Orphan (No. 6)
- A Little Study (No. 14)
- First Loss (No. 16)
- Mignon (No. 35)
4 Pieces from "Album Leaves" op. 124
- Waltz (No. 4)
- Fantasy Dance (No. 5)
- Little Cradle Song (No. 6)
- Larghetto (No. 13)
7 Pieces from "Scenes from Childhood" op. 15
- From Foreign Lands and Peoples (No. 1)
- A Strange Story (No. 2)
- Pleading Child (No. 4)
- Knight of the Hobby Horse (No. 9)
- Frightening (No. 11)
- Child Falling Asleep (No. 12)
- The Poet Speaks (No. 13)
7 Schumann Transcriptionen by Francisco Tárrega (1852 – 1909)
- Andantino Cantabile (No. 4 from op. 99)
- Preludio (No. 5 from op. 99)
- Romanza (No. 1, Trio from op. 21)
- Rêverie ("Reverie" from op. 15)
- Feuilles variées (No. 5 from op. 99)
- Berceuse ("Slumber Song", No. 16 from op. 124)
- Saint – Nicolas ("Knight Rupert" from op. 68)
4 Song Arrangements for Two Guitars
- Mondnacht (No. 5 from op. 39)
- Im wunderschönen Monat Mai (No. 1 from op. 48)
- Die Lotosblume (No. 7 from op. 25)
- Er, der Herrlichste von Allen (No. 2 from op. 42)
Schumann for Guitar
Schumann for Guitar
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An interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. New tonal possibilities present themselves for the repertoire, since Schumann never composed an original piece for guitar. Contains pieces from the piano cycles Album für die Jugend, Kinderszenen and Albumblätter, but also some lieder like Mondnacht or Im wunderschönen Monat Mai. A highlight is the original Schumann transcriptions by Francisco Tárrega (1852-1909) which prove guitarists studied Schumann's music as early as the 19th century. Ideal for concerts and music lessons or for private music-making. The pieces are of easy to intermediate difficulty so even amateur guitarists will enjoy playing them. Notation only. 47 pp.
More Details
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8 Pieces from "Album for the Young" op. 68
4 Pieces from "Album Leaves" op. 124
7 Pieces from "Scenes from Childhood" op. 15
7 Schumann Transcriptionen by Francisco Tárrega (1852 – 1909)
4 Song Arrangements for Two Guitars
- Melody (No. 1)
- Soldier's March (No. 2)
- Humming Song (No. 3)
- A Little Piece (No. 5)
- Poor Orphan (No. 6)
- A Little Study (No. 14)
- First Loss (No. 16)
- Mignon (No. 35)
4 Pieces from "Album Leaves" op. 124
- Waltz (No. 4)
- Fantasy Dance (No. 5)
- Little Cradle Song (No. 6)
- Larghetto (No. 13)
7 Pieces from "Scenes from Childhood" op. 15
- From Foreign Lands and Peoples (No. 1)
- A Strange Story (No. 2)
- Pleading Child (No. 4)
- Knight of the Hobby Horse (No. 9)
- Frightening (No. 11)
- Child Falling Asleep (No. 12)
- The Poet Speaks (No. 13)
7 Schumann Transcriptionen by Francisco Tárrega (1852 – 1909)
- Andantino Cantabile (No. 4 from op. 99)
- Preludio (No. 5 from op. 99)
- Romanza (No. 1, Trio from op. 21)
- Rêverie ("Reverie" from op. 15)
- Feuilles variées (No. 5 from op. 99)
- Berceuse ("Slumber Song", No. 16 from op. 124)
- Saint – Nicolas ("Knight Rupert" from op. 68)
4 Song Arrangements for Two Guitars
- Mondnacht (No. 5 from op. 39)
- Im wunderschönen Monat Mai (No. 1 from op. 48)
- Die Lotosblume (No. 7 from op. 25)
- Er, der Herrlichste von Allen (No. 2 from op. 42)