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The exact appearance of this item may vary.This unique collection from well-known harpist Felice Pomeranz features 24 contemporary performance-ready etudes for lever and pedal players with intermediate to advanced capability. The etudes span a variety of difficulty levels and help you master and apply a variety of contemporary practices.
Topics covered include: Contemporary scales, harmonies, and progressions • Rhythm practices, such as multi-meters and swing vs. straight feels • Hand independence and stamina • Improvisation skills, comping patterns, and bass lines • Muffling, slides, and articulations • Timbral effects, such as the splat, xylophonic effects, gong, and slap bass sounds.
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Contents:
- Acknowledgements
- Introduction
- "Blue B" by Felice Pomeranz
- "Classical Style b9 Etude" by Felice Pomeranz
- "Bloom" by Amy Ahm
- "Seventh Season" by Felice Pomeranz
- "Harp da Funk" by Felice Pomeranz
- "Shades of Debussy" by Felice Pomeranz
- "Double Trouble" by Stina Hellberg Agback
- "Amazing Grace" arranged by Felice Pomeranz
- "Etude en Chocolat" by Pia Salvia
- "We Need Rhythm" by Felice Pomeranz
- "Pres du Canal" by Eleonore Niubo
- "Multi-Meter Etude in A Minor" by Felice Pomeranz
- "Slip and Slide" by Olivia Fortunato
- "E Major Slide" by Emi DeLia
- "Sunday Sevens" by Mairi Chaimbeul
- "Graham! Bam! Etouffez" by Felice Pomeranz
- "Kita's Strut/Koneko Dansu" by Piper Pichette
- "November" by Abby Lim-Kimberg
- "Rhythmic Etude in D Minor" by Maeve Gilchrist
- "Picking Etude" by MarieMarie
- "It's More Than Just That Bass" by Felice Pomeranz
- "Perspective" by Charles Overton
- "Litoral" by Juana Luna
- "Tumbao" by Cesar Secundino Mendez
- Closing Thoughts
- About the Author
- Contributors
Contemporary Etudes for Harp - for Pedal and Lever Harpists
Contemporary Etudes for Harp - for Pedal and Lever Harpists
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This unique collection from well-known harpist Felice Pomeranz features 24 contemporary performance-ready etudes for lever and pedal players with intermediate to advanced capability. The etudes span a variety of difficulty levels and help you master and apply a variety of contemporary practices.
Topics covered include: Contemporary scales, harmonies, and progressions • Rhythm practices, such as multi-meters and swing vs. straight feels • Hand independence and stamina • Improvisation skills, comping patterns, and bass lines • Muffling, slides, and articulations • Timbral effects, such as the splat, xylophonic effects, gong, and slap bass sounds.
More DetailsTopics covered include: Contemporary scales, harmonies, and progressions • Rhythm practices, such as multi-meters and swing vs. straight feels • Hand independence and stamina • Improvisation skills, comping patterns, and bass lines • Muffling, slides, and articulations • Timbral effects, such as the splat, xylophonic effects, gong, and slap bass sounds.
More Details
More Details
Contents:
- Acknowledgements
- Introduction
- "Blue B" by Felice Pomeranz
- "Classical Style b9 Etude" by Felice Pomeranz
- "Bloom" by Amy Ahm
- "Seventh Season" by Felice Pomeranz
- "Harp da Funk" by Felice Pomeranz
- "Shades of Debussy" by Felice Pomeranz
- "Double Trouble" by Stina Hellberg Agback
- "Amazing Grace" arranged by Felice Pomeranz
- "Etude en Chocolat" by Pia Salvia
- "We Need Rhythm" by Felice Pomeranz
- "Pres du Canal" by Eleonore Niubo
- "Multi-Meter Etude in A Minor" by Felice Pomeranz
- "Slip and Slide" by Olivia Fortunato
- "E Major Slide" by Emi DeLia
- "Sunday Sevens" by Mairi Chaimbeul
- "Graham! Bam! Etouffez" by Felice Pomeranz
- "Kita's Strut/Koneko Dansu" by Piper Pichette
- "November" by Abby Lim-Kimberg
- "Rhythmic Etude in D Minor" by Maeve Gilchrist
- "Picking Etude" by MarieMarie
- "It's More Than Just That Bass" by Felice Pomeranz
- "Perspective" by Charles Overton
- "Litoral" by Juana Luna
- "Tumbao" by Cesar Secundino Mendez
- Closing Thoughts
- About the Author
- Contributors