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Contents:

  • Forward
  • Introduction
  • Figure 1 - C triads on the top three strings
  • Figure 2 - C Major scale fragments
  • Figure 3 - I-IV-V-I progressions in C
  • Figure 4 - I-IV-V-I Etudes in C
  • Figure 5 - I-IV-V-I progressions in G
  • Figure 6 - G Major scale fragments
  • Figure 7 - I-IV-V-I Etudes in G
  • Figure 8 - C Major Scale, Fingering Type One
  • Figure 9 - Arpeggio Etude in C using Fingering Type One
  • Figure 10 - Transposing Fingering Type One to the key of D Major (scale and arpeggio etude)
  • Figure 11 - Transposing Fingering Type One to the key of G Major (scale and arpeggio etude)
  • Figure 12 - C Major, Fingering Type One up an octave
  • Figure 13 - C Major - Fingering Type Two
  • Figure 14 - C Major - Fingering Type Three
  • Figure 15 - C Major - Fingering Type Four
  • Figure 16 - C Major - Fingering Type Five
  • Figure 17 - Type One etudes in C
  • Figure 18 - Type Two etudes in C
  • Figure 19 - Type Three etudes in C
  • Figure 20 - Type Four etudes in C
  • Figure 21 - Type Five etudes in C
  • Figure 22 - G Major scales - All fingering types
  • Figure 23 - D Major scales - All fingering types
  • Figure 24 - Horizontal scale exercise in C
  • Figure 25 - Horizontal melodic etudes in C
  • The Girl I Left Behind
  • Billy in the Low Ground
  • The Arkansas Traveler
  • Figure 26 - Horizontal scale exercise in G
  • The Flowers of Edinburgh
  • Bill Cheatham
  • Figure 27 - Horizontal scale exercise in D
  • The Cuckoo’s Nest
  • Over the Waterfall
  • Summary
  • About the Author

Flatpicking Up the Neck

Flatpicking Up the Neck

New
by Jeff Troxel

SKU: 02-21818M

Regular price $19.99 USD
Regular price Sale price $19.99 USD
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Experience the Elderly Difference
Book/Online audio set. A thorough and practical approach to understanding the upper positions on the fingerboard for the flatpicking guitarist. Chord shapes, scale patterns, position studies, and repertoire teach guitarists to visualize how melodies and chords work together up the neck. Learn a system for organizing chords and scales up the neck, as well as moving horizontally between positions. Open strings are blended with upper position notes in keeping with the flatpicking style, and concepts are applied to real music through tunes and variations. Beginning/intermediate. Note/tab. 56 pp.
More Details

More Details

Contents:

  • Forward
  • Introduction
  • Figure 1 - C triads on the top three strings
  • Figure 2 - C Major scale fragments
  • Figure 3 - I-IV-V-I progressions in C
  • Figure 4 - I-IV-V-I Etudes in C
  • Figure 5 - I-IV-V-I progressions in G
  • Figure 6 - G Major scale fragments
  • Figure 7 - I-IV-V-I Etudes in G
  • Figure 8 - C Major Scale, Fingering Type One
  • Figure 9 - Arpeggio Etude in C using Fingering Type One
  • Figure 10 - Transposing Fingering Type One to the key of D Major (scale and arpeggio etude)
  • Figure 11 - Transposing Fingering Type One to the key of G Major (scale and arpeggio etude)
  • Figure 12 - C Major, Fingering Type One up an octave
  • Figure 13 - C Major - Fingering Type Two
  • Figure 14 - C Major - Fingering Type Three
  • Figure 15 - C Major - Fingering Type Four
  • Figure 16 - C Major - Fingering Type Five
  • Figure 17 - Type One etudes in C
  • Figure 18 - Type Two etudes in C
  • Figure 19 - Type Three etudes in C
  • Figure 20 - Type Four etudes in C
  • Figure 21 - Type Five etudes in C
  • Figure 22 - G Major scales - All fingering types
  • Figure 23 - D Major scales - All fingering types
  • Figure 24 - Horizontal scale exercise in C
  • Figure 25 - Horizontal melodic etudes in C
  • The Girl I Left Behind
  • Billy in the Low Ground
  • The Arkansas Traveler
  • Figure 26 - Horizontal scale exercise in G
  • The Flowers of Edinburgh
  • Bill Cheatham
  • Figure 27 - Horizontal scale exercise in D
  • The Cuckoo’s Nest
  • Over the Waterfall
  • Summary
  • About the Author
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