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			<title>Elderly.com Latest - Books  - Folklore &amp; Music History</title>
		<description>Elderly Instruments Latest - Books - Folklore &amp; Music History</description>
			<link>http://elderly.com/list/newitems?catlist=900</link>
		<language>en-us</language>
		<copyright>copyright 2009 Elderly Instruments</copyright>
		<pubDate> Wed, 25 Nov 2009 22:28:13 -0500</pubDate>
		<lastBuildDate> Wed, 25 Nov 2009 22:28:13 -0500</lastBuildDate>
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		<ttl>720</ttl>
		<webMaster>webmaster@elderly.com</webMaster>
              
		<item>
			<title>STOMP AND SWERVE: AMERICAN MUSIC GETS HOT, 1843 - 1924 
                          (book)
			
</title>
<description><![CDATA[


                        

                           Early decades of American popular music are the dark ages, until the mid-1920s when recordings became popular. This book brings a forgotten music, hot music, to life by describing how it became the dominant American music and became rock 'n' roll. In minstrelsy, ragtime, brass bands, early jazz and blues, fiddle music, and other forms, there was as much stomping and swerving as can be found in the most exciting performances of hot jazz, funk, and rock. It explains how the strange combination of African with Scotch and Irish influences made U.S. music vastly different from other African and Caribbean forms; shares terrific stories about minstrel shows, &quot;coon&quot; songs, whorehouses, knife fights, and other &quot;low-life&quot; phenomena; and showcases a motley collection of performers. 256 pp.    ($17.95) ]]>
                         </description>
			<pubDate>                                 Sat, 07 Nov 2009 19:00:00 -0500
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-216.htm</guid>
			<link>http://elderly.com/books/items/542-216.htm</link>
				       </item>	


              
		<item>
			<title>LIFE FLOWS ON IN ENDLESS SONG: FOLK SONGS AND AMERICAN HISTORY 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-239.htm"><img src="http://elderly.com/images/tiny/books/900/542-239.jpg" width="67" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           An engaging survey of what folk songs tell us about the American past. Wells discusses how folk songs emerged from particular historical circumstances and evolved as they migrated from one region to another. Crafting a sociological map of four centuries of American history, he investigates how songs embody shifting attitudes toward the institution of the family, war and religion, work and the labor movement, transportation, and slavery and Jim Crow. Discusses Leadbelly and Woody Guthrie. With a selective discography of key recordings. 240 pp.    ($25.00) ]]>
                         </description>
			<pubDate>                                 Sat, 10 Oct 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-239.htm</guid>
			<link>http://elderly.com/books/items/542-239.htm</link>
				       </item>	


              
		<item>
			<title>I HEAR A VOICE CALLING: A BLUEGRASS MEMOIR 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-238.htm"><img src="http://elderly.com/images/tiny/books/910/542-238.jpg" width="67" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           During the final years of Bill Monroe's life, bluegrass fiddler Lowinger took a series of photos of Bill on the road. These photos and others are interwoven into Lowinger's own story of a New Jersey boy obsessed with folk and old-time music; his college trips to see Monroe and other bluegrass masters; his stints as a fiddler for the New York Ramblers, Greenbriar Boys, and Blue Grass Boys; and his memories of playing at the Grand Ole Opry and music festivals. A photographic reflection on Bill Monroe's public and private life, it also testifies to the bluegrass master's profound mentorship and guidance. 75 photos, 160 pp.    ($19.95) ]]>
                         </description>
			<pubDate>                                 Sat, 12 Sep 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-238.htm</guid>
			<link>http://elderly.com/books/items/542-238.htm</link>
				       </item>	


              
		<item>
			<title>IT STILL MOVES: LOST SONGS, LOST HIGHWAYS, AND THE SEARCH FOR THE NEXT AMERICAN MUSIC 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-235.htm"><img src="http://elderly.com/images/tiny/books/900/542-235.jpg" width="63" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           Petrusich takes us on a tour through the roots of American rural music, stopping at eccentric motels, visiting mythic sites of recording sessions and reciting heroic tales of song-catching and villainous accounts of song-stealing. A survey of the modern world's avant garde folk scene pays tribute to the traditions of such genres as gospel, bluegrass, and rock while tracing the rise of Americana music, in an account that celebrates its foremost artists and explores the adaptations of the twenty-first century. 290 pp.    ($15.00) ]]>
                         </description>
			<pubDate>                                 Sat, 22 Aug 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-235.htm</guid>
			<link>http://elderly.com/books/items/542-235.htm</link>
				       </item>	


              
		<item>
			<title>BARRELHOUSE BLUES: LOCATION RECORDING AND THE EARLY TRADITIONS OF THE BLUES 
                          (book)
			
</title>
<description><![CDATA[


                        

                           Explores the folk traditions that preceded and shaped the blues style as well as the conditions under which first recordings were made. Barrelhouse Blues traces the recordings made at such early venues as street and vaudeville performances, work and prison camps, and juke joints. Hardcover. 228 pp.    ($24.95) ]]>
                         </description>
			<pubDate>                                 Fri, 14 Aug 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-236.htm</guid>
			<link>http://elderly.com/books/items/542-236.htm</link>
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		<item>
			<title>WAITING FOR A TRAIN: JIMMIE RODGER'S AMERICA 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/158-58.htm"><img src="http://elderly.com/images/tiny/books/900/158-58.jpg" width="66" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           Scholars, critics, and musical artists give their viewpoints on his music and his influence. With contributions by Dave Alvin, Rodney Crowell, Bob Dylan, Marty Stuart, Steve Forbert, Tom Russell, and many others. 297 pg.    ($17.95) ]]>
                         </description>
			<pubDate>                                 Wed, 29 Jul 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/158-58.htm</guid>
			<link>http://elderly.com/books/items/158-58.htm</link>
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		<item>
			<title>COUNTRY MUSIC RECORDS: A DISCOGRAPHY, 1921 - 1942 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-221.htm"><img src="http://elderly.com/images/tiny/books/900/542-221.jpg" width="69" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           Documents all country music recording sessions from 1921 until 1942. Until now, discographies of pre-World War II country music recordings were only to be found scattered in journals and fanzines, or in books devoted to single artists. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this work is the first compendium to accurately report the key details behind all the recording sessions of country music during this era. In doing so, it tells the commercial story of the music's first two decades. 1183 pp.    ($49.95) ]]>
                         </description>
			<pubDate>                                 Thu, 16 Apr 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-221.htm</guid>
			<link>http://elderly.com/books/items/542-221.htm</link>
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		<item>
			<title>CAFE SOCIETY: THE WRONG PLACE FOR THE RIGHT PEOPLE 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-223.htm"><img src="http://elderly.com/images/tiny/books/900/542-223.jpg" width="66" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           Tells the personal history of Barney Josephson, proprietor of the legendary interracial New York city night clubs Cafe Society Downtown and Cafe Society Uptown, and their successor, The Cookery. Famously known as &quot;the wrong place for the right people,&quot; Cafe Society featured the cream of the jazz and blues performers - among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams - as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. Hardcover, 376 pp.    ($29.95) ]]>
                         </description>
			<pubDate>                                 Thu, 16 Apr 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-223.htm</guid>
			<link>http://elderly.com/books/items/542-223.htm</link>
				       </item>	


              
		<item>
			<title>LIFT EVERY VOICE: THE HISTORY OF AFRICAN AMERICAN MUSIC 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-224.htm"><img src="http://elderly.com/images/tiny/books/900/542-224.jpg" width="65" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           Traces the roots of black music in Africa and slavery and its evolution in the United States from the end of slavery to the present day. The music's creators, consumers, and distributors are all part of the story. Musical genres such as spirituals, ragtime, the blues, jazz, gospel, rhythm and blues, rock, soul, and hip-hop - as well as black contributions to classical, country, and other American music forms - depict the continuities and innovations that mark both the music and the history of African Americans. Hardcover, 222 pp.    ($34.95) ]]>
                         </description>
			<pubDate>                                 Thu, 16 Apr 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-224.htm</guid>
			<link>http://elderly.com/books/items/542-224.htm</link>
				       </item>	


              
		<item>
			<title>RECORD MAKERS AND BREAKERS : VOICES OF THE INDEPENDENT ROCK 'N' ROLL PIONEERS 
                          (book)
			
</title>
<description><![CDATA[


                        
			  			     			                             <a href="http://elderly.com/books/items/542-220.htm"><img src="http://elderly.com/images/tiny/books/900/542-220.jpg" width="67" height="100" hspace="4" border="0" align="left" alt=""/></a>
			     			                            

                           This engaging history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R&amp;B and hillbilly music through its decline in the 1960s combines narrative history with extensive oral history material from numerous recording pioneers. The rich oral histories provide abundant on-the-ground information about nurturing new artists such as Elvis Presley, Chuck Berry, Fats Domino, and B.B. King and then losing them to the bigger labels; developing pressing plants, distribution centers, jukebox circuits, and disk jockey networks; financing these operations, often on shoestring budgets; and creating innovative approaches (including payola) to developing an audience. Hardcover, 584 pp.    ($50.00) ]]>
                         </description>
			<pubDate>                                 Sun, 12 Apr 2009 20:00:00 -0400
                                                         </pubDate>
			<guid>http://elderly.com/books/items/542-220.htm</guid>
			<link>http://elderly.com/books/items/542-220.htm</link>
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